We have a weird obsession with our own self-destruction. It’s not just stories about how we’re destroying the Earth. We are attracted to the sight of humans being butchered, cut up and eaten. The arts have constantly provided a safe place for people to view these things, knowing these people aren’t really dying.
As profound and deep as it sounds, it also gave rise to exploitation films. Sometimes, they get a budget and we get something like the Saw series. The worst offenders are those that use the grim’n’dark atmosphere of violence to shock. The audience for Saw is there for the visual spectacle, but many people are still sure grimdarkness is a sign of depth and maturity. Just look at all those crappy FPS games with monochromatic tough guys, or that very popular fantasy series that’s all about who will be the king.
The premise sure sounds like it will join these ranks. Anime is full of overblown violence, especially in shows with a very serious tone. There’s also a realistic art style to boot. After a few episodes, though, you notice you spent more time with the characters rather than looking at titans eating humans.
Attack on Titan never feels like it’s even trying to join the rank of shlock grimdarkness. This is a very humane story, one where the characters are much more important than what happens next. It doesn’t even sink into exploitating their suffering. It’s far more excited with the variety of humans to linger on one detail.
Calling Attack on Titan a story that loves humans sound silly. Heads are being chopped off and there are a lot of assholes around, but that’s the strength. It looks at humanity’s worst aspects, admits their exist and still refuses to give up on it.
In fact, it’s a criticism of such misanthropy. The titans are distorted versions of us. That’s a visualization of how misanthropes see humanity – as senseless animals just bent on destruction. Yet the whole purpose the titans exist, just to chop humans to destroy them all is the logical end of misanthropy.
It’s not a caricature, though. The creators understand why misanthropes exist in the first place. Cruelty is everywhere. Sometimes it’s cliches about how the elite only cares about themselves (Thankfully, the series doesn’t linger on that too much). Sometimes we get a more interesting look at how assholes are born. A military police officer can’t hear the explanation of how all these destruction is going to get humanity anywhere. Right now his own world is under attack. We care more about our home environment than we do about humanity as a whole.
Caring about the whole isn’t easy. The series presents two ways of doing it. Either persevere as if nothing is happening and hide behind the walls, or make great sacrifices, risk losing everything but also gain everything.
It’s not an easy choice at all. The ideal situation is that Erwin’s plans will work, but there’s no guarantee it will. We’re always encouraged to take risks, but the reason it’s a risk in the first place is because of the possibility of failure.
Failure is an ever-looming presence in Attack on Titan. Plans never go as expected, and sometimes even Erwin isn’t sure where to go from that failure. The series asks whether the risk is worth taking even if the plan fails. It doesn’t present a simplistic, complete failure. The characters always gain something from the risks they take. A complete loss is easy to write and doesn’t leave much to explore. Rather, it asks whether what was gained was worth the exchange.
While this focus on dealing with failure is admirable (and possibly pretty rare in these types of anime), it sometimes become repetitive. The series never sinks into milking its tragedy. We see titans eating humans, but just enough to understand the horror of it all. The camera never lingers on dead bodies and titans chewing on a human. We still get an overpowered enemy for the ending, though.
The last part of the series goes in a different direction. It’s a nice risk, but I’m still not sure whether it was worth it. It’s an extended action sequence that’s well-animated and exciting, but can feel too out-of-place. Up until then the series was concerned with the characters. We got various worldviews and personalities and saw them interact. The training arc is especially great. The action sequence relies on more on what will happen next than on the characers’ personalities.
There are still character moments there. A moment of banter between the elite soldier defines what makes this series so engrossing. The way each of them talks is modified by their personality (Oluo’s narcissism, Petra’s empathy). The action is also entertaining enough. It’s well-animated, unique to the series rather than just generic sword swinging and uses extended, moving shots. There is a kinetic energy to it. The camera moves as the soldiers fly with their gear, and that transmits this motion more effective.
Too bad their enemy is pretty dull. It borders on invincible. Fighting an all-powerful enemy can be used well, but only psychologically (As in Harlan Ellison’s story about mouths and screaming). An action scene against an enemy who can block each attack quickly becomes repetitive. There’s a reason why the last fighting scene in Medabots is so short.
The enemy is given the occasional downfall and these are the most intense moments. Anytime it breaks out and finds a way around there’s a sense of been-there-done-that. At that point, it just felt like the creators was dragging the series on and piling on tragedies.
Up until then, it constantly kept moving forward and didn’t linger on unnecessary details. The reason we get these time skips because we don’t need 40 episodes of Eren’s childhood to understand him. We’re given enough to understand and then it moves on. Why linger on the least exciting section? Maybe they’re trying to appeal to an audience who’s in it for the action. At least they gave them unique action scenes.
Overpowered enemy means the ending isn’t very different than what happened a few episodes before it. The lack of conclusion isn’t the big problem. The manga keeps going, and the series doesn’t put all its money on the Big Conclusion anyway. The conclusion is not satisfying enough, but it doesn’t negate all that came before. The problem is that not enough changed when it ends. Change is only hinted at, but the enemy hasn’t been really defeated and not a lot of progress was made. I did not want all points wrapped up, but I wanted a lesson learned. A good ending is one that wraps up the themes, not plot points.
The series also gets credit for changing my view on realistic character design. My previous experience was with Monster, where everyone looked like real people and no one looked interesting or unique. Animation gives total control. The animators decide everything – the size of the head, the shape of the eyes, the color of the hair.
There is supposed to be a good reason to include a detail. If not, it’s just meaningless fluff with no purpose. That’s why, in cartoons, the characters tend to have ridiculous designs that are either interesting to look at or to inform us about the character’s personality. Attack on Titan has this attention to detail. The facial expression especially have a lot of work put into them. Levi has small, narrow eyes that reflect his world that’s nothing but killing titans. Eren’s eyes are wide but muscular, which fit with his idealism, extremist views and desire to go to the world outside. Petra also has such wide eyes, but they’re softer. She’s more emphatic than anyone around here.
It also avoids the shounen trap and let women look like women. A lot of shounen anime give the women breasts, but not actual female beauty. It’s no attempt to subvert gender norms. The femininity is removed without something to replace it. Here, though, women are allowed to look like women whether they’re mother figures (Petra), hardened warriors (Annie, Mikasa) or wild eccentrics (Hanji, Sasha).
It’s a good moment to say that the series avoids all cliches of misogyny and feminism in its representation of women. The women in Attack on Titan are allowed to be human beings, not walking pin-up posters or bland strong women. They have characters and personalities just like the guys. They do drop the ball Mikasa, but that’s less because they try to make her strong and more because they forgot to give her a personality. Why do we waste our time, asking whether a sexy schoolgirl with a one armed scissor is feminist when this one gets it all right?
Despite the small flaws, Attack on Titan is well worth the fame. It’s good to easy it became so big. There are at times when it feels unstoppable, like it’s hell-bent on becoming the best anime ever. Almost every scene has purpose and every dialogue exchange contributes to the characters and worlds. Even when it becomes just an extended action sequence, it’s fantastic. That’s how good it is.
4 titans out of 5
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